Manne, Shelly - Jazz From The Pacific Northwest (180 Gram, 2LP) (RSD 2024)
Manne, Shelly - Jazz From The Pacific Northwest (180 Gram, 2LP) (RSD 2024)
Format: LP
UPC: 875531023947
Release Date: 04/20/24
Condition: N
Low stock: 1 left
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*RSD TITLES LIMITED TO ONE PER CUSTOMER - ANY ORDERS FOR MORE THAN 1 COPY OF THIS TITLE WILL BE CANCELLED AND REFUNDED*
Event: RECORD STORE DAY 2024
Release Date: 4/20/2024
Format: 2 x LP
Label: Reel To Real
Quantity: 1500
Release type: 'RSD First' Release
Jazz from The Pacific Northwest combines two previously unissued concert recordings from one of the greatest jazz drummers of all-time, Shelly Manne. The first recording, recorded at the Monterey Jazz Festival on October 4, 1958, features Monty Budwig on bass, Russ Freeman on piano, Stu Williamson on trumpet, and Herb Geller on flute and alto saxophone. The second recording features Hampton Hawes on piano, Frank Strozier on flute and alto saxophone, Conte Condoli on trumpet and guest vocalist Ruth Price on two tracks recorded at the Penthouse jazz club in Seattle on September 7 and 15, 1966.
This hand-numbered, limited-edition, double LP set was transferred from the original tape reels and is pressed on 180g vinyl. The deluxe package includes an extensive 16-page booklet with essays by renowned archival producer Zev Feldman and label owner/producer/musician Cory Weeds, plus passages from Tim Jackson of the Monterey Jazz Festival, Charlie Puzzo Jr. from the Penthouse, and engineer/radio host Jim Wilke; interviews from musicians Jim Keltner, Peter Erskine, Ruth Price, Bill Holman and Joe LaBarbera; and rare photos and memorabilia. LP mastering by Kevin Gray at Cohearent Audio.
New York City-born Manne rose to fame in the 1950s after moving to Los Angeles and is known as a founding father of the "West Coast Jazz" scene. He is highly regarded as one of the most versatile and talented drummers of the day performing with countless legends including Andre Previn, Sonny Rollins, Stan Kenton, Charlie Ventura, Kai Winding and many others. Manne teamed up with Previn and Lenny Vinegar to produce the first jazz album of a Broadway score for their version of “My Fair Lady,” and he has numerous television/movie credits along with performing and composing scores. His recorded works include numerous albums for Capitol, Atlantic, Impulse!, Mainstream, Contemporary, Flying Dutchman and other international labels.
Tracklist
Side A (17:35)
1) Stop, Look & Listen
2) The Vamps Blues
Side B (17:53)
Suite: Quartet
Side C (25:18)
1) Softly As In A Morning Sunrise
2) Summertime
3) Dearly Beloved
Side D (24:58)
1) Funny
2) My Secret Love
3) Surrey With A Fringe On Top
SHIPPING & RETURNS
SHIPPING & RETURNS
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RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
