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Ben Folds Five - The Complete Sessions at West 54th (Tan & Black "Scuffed Parquet" Vinyl)

Ben Folds Five - The Complete Sessions at West 54th (Tan & Black "Scuffed Parquet" Vinyl)

Format: LP

UPC: 848064013815

Release Date: 05/06/22

Condition: N

Regular price $41.99 USD
Regular price $41.99 USD Sale price $41.99 USD
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In 1997, PBS began airing Sessions at West 54th, a program far removed from the live music fare aimed at the older set that one usually finds on the network. Instead, Sessions at West 54th brought the hottest and hippest acts to New York to perform live in front of a studio audience. And one of the first acts asked to appear was Ben Folds Five. Which was a very big deal to the leader of the band. “I viewed it as an equal to a classic BBC live music television show,” says Ben Folds. “I walked into it thinking, 'This is the one I leave [behind],' because it felt like some kind of a time capsule gig.”

Now, we at Real Gone Music are thrilled to present the complete performance by Ben Folds Five as recorded at Sony Music Studios. This 2-LP release was the first live album to be released from the “vintage” years of the trio (consisting of Folds, drummer Darren Jessee and bassist Robert Sledge). Among the 15 tunes are three from the group’s self-titled debut, nine from their then-current release Whatever and Ever Amen featuring their hit “Battle of Who Could Care Less,” and three songs that had not been released at the time (“Emaline,” “Theme from ‘Dr. Pyser’,” and their radically reimagined cover of Flaming Lips’ “She Don’t Use Jelly”). Folds and crew were always a great live band—they even recorded their studio albums in a largely live setting—but this performance crackles with palpable intensity, brought home by this recording’s flawless fidelity. But don’t take our word for it—as Folds says in Bill Kopp’s liner notes that accompany the release, “That gig was pretty special.” Available on tan and black “scuffed parquet” vinyl to match the floor of the studio where it was recorded! 

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
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GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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