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Chastity Belt - Live Laugh Love (180 Gram, Cloudy Vinyl)

Chastity Belt - Live Laugh Love (180 Gram, Cloudy Vinyl)

Format: LP

UPC: 803238022215

Release Date: 03/29/24

Condition: N

Regular price $24.98 USD
Regular price $24.98 USD Sale price $24.98 USD
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In their decade-plus together, the four-piece-Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals)-have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love. Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "I-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness... we can kinda surprise each other, like a good punchline would."

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
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GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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