Davis, Jesse Ed - Tomorrow May Not Be Your Day - The Unissued Atco (RSD Black Friday 2024)
Davis, Jesse Ed - Tomorrow May Not Be Your Day - The Unissued Atco (RSD Black Friday 2024)
Format: Vinyl LP
UPC: 848064018179
Release Date: 11/29/24
Condition: N
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*RSD TITLES LIMITED TO ONE PER CUSTOMER - ANY ORDERS FOR MORE THAN 1 COPY OF THIS TITLE WILL BE CANCELLED AND REFUNDED*
Event: BLACK FRIDAY 2024
Release Date: 11/29/2024
Format: 2 x LP
Label: Real Gone Music
Quantity: 1000
Release type: 'RSD First' Release
Native American guitarist Jesse Ed Davis was the “go-to” guy for a remarkable group of musicians. Starting in the mid-‘60s, he toured with Conway Twitty, then became a key part of Taj Mahal’s band, playing on several albums and tours including an appearance in The Rolling Stones Rock and Roll Circus, and, perhaps most famously, accompanied George Harrison during the Concert for Bangladesh, followed by work on various solo albums by John Lennon, Ringo Starr, Gene Clark, Leonard Cohen, and Jackson Browne (that’s Jesse taking the solo on his 1972 breakout hit “Doctor My Eyes”).
All this activity caught the eye of ATCO Records, who released his debut LP Jesse Davis in 1971. The album featured Leon Russell, Eric Clapton, Gram Parsons, Merry Clayton, Ben Sidran, John Simon (producer of The Band), Alan White (of Yes), and many others including Delaney Bramlett behind the mixing desk. A year later, Atco released Ululu containing some of the same all-stars, plus Duck Dunn, Jim Keltner, and Dr. John – and a version of George Harrison’s “Sue Me, Sue You Blues” before even George recorded it.
Of late, there’s been something of a Jesse Ed Davis revival. Besides Real Gone Records releases, Davis was a major figure in the documentary Rumble: The Indians Who Rocked the World…and now this fall comes a full-fledged biography, Washita Love Child: The Life and Times of Jesse Ed Davis, by Dr. Douglas Miller.
To honor the man and the occasion of the book’s release (and to slake guitar-heads the world over thirsting for more tasty Jesse Ed licks), Real Gone Music releases Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971, a double-LP collection consisting of, as the title says, all unreleased recordings taken from Jesse’s sessions for his two Atco solo records. Along the way you’ll find completely unreleased songs (“Slinky Jam”), unexpected covers of “Ain’t No Beatle,” “Kansas City,” and “Tracks of My Tears,” unissued instrumentals (including a version of Dylan’s “Love Minus Zero/No Limit”), and an entire side featuring alternate versions of Jesse’s masterpiece, “Washita Love Child.”
Remastered by Mike Milchner at Sonic Vision, and featuring notes by Dr. Miller festooned by photos contributed by Jesse’s son William “Billy” Noriega, Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971 represents a major archival find from one of rock’s most intriguing characters, out on Cobalt “Blue Jean” vinyl limited to 1500 copies worldwide.
Tracklist
A1. TOMORROW MAY NOT BE YOUR DAY (Unissued) A2. CRAZY LOVE (Unissued Alternate Take) A3. KANSAS CITY (Unissued Instrumental) A4. ROCK AND ROLL GYPSIES (Unissued Alternate Version) A5. TRACKS OF MY TEARS (Unissued)
B1. EVERY NIGHT IS SATURDAY NIGHT (Unissued Alternate Version) B2. LOVE MINUS ZERO/NO LIMIT (Unissued Instrumental) B3. SLINKY JAM (Unissued Instrumental) B4. QUALIFIED (Unissued Instrumental)
C1. WASHITA LOVE CHILD (Unissued Slow Instrumental #1) C2. WASHITA LOVE CHILD (Unissued Slow Instrumental #2) C3. KIOWA TEEPEE (WASHITA LOVE CHILD) (Unissued Instrumental With Pow Wow Introduction) C4. WASHITA LOVE CHILD (Unissued Alternate Lead Vocal)
D1. AIN’T NO BEATLE (Unissued) D2. CARAVAN (Unissued Instrumental) D3. PAT’S SONG (GOLDEN SUN GODDESS) (Unissued Alternate Instrumental) D4. ULULU (Unissued Alternate Instrumental)
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GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
