Ellington, Duke - Masterpieces by Ellington (Analogue Productions, 180 Gram, Mono)
Ellington, Duke - Masterpieces by Ellington (Analogue Productions, 180 Gram, Mono)
Format: Vinyl LP
UPC: 753088441813
Release Date: 12/22/14
Condition: N
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A historic record - recorded just four years removed from the dawn of the analog tape era!
Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements -- the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.
Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12" LP, and the first long-playing record to be sold to consumers.
The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.
Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs -- "Mood Indigo," "Sophisticated Lady," with evocative vocals by Yvonne Lanauze, as well as "Solitude." Masterpieces was also notable for the debut of the full-bodied, surprise-laden "The Tattooed Bride," and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.
Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.
Features
- 180g Vinyl
- Plated and pressed at Quality Record Pressings
- Remastered by Ryan Smith at Sterling Sound from the original analog tapes
- Gatefold old-school "tip-on" on jacket by Stoughton Printing
- Tracks presented in 'uncut concert arrangements'
- Presented in Original Mono
SHIPPING & RETURNS
SHIPPING & RETURNS
FREE SHIPPING on purchases over $50
LOCAL PICKUP available at checkout
$5 MEDIA MAIL shipping in the USA
RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
