Guaraldi, Vince - A Charlie Brown Thanksgiving (OST) (Purple Jelly Bean Vinyl)
Guaraldi, Vince - A Charlie Brown Thanksgiving (OST) (Purple Jelly Bean Vinyl)
Format: Vinyl LP
UPC: 760137161240
Release Date: 10/18/24
Condition: N
Low stock: 2 left
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Indie Exclusive - Vince Guaraldi's score for "A Charlie Brown Thanksgiving" came out for the first time ever for the special's 50thanniversary and charted as a top Jazz, soundtrack and children's album upon its release, selling out all available copies. The complete soundtrack to the celebrated animated holiday television special, written and created by Charles Schulz, directed by Bill Melendez and Phil Roman and produced by Melendez and Lee Mendelson, includes the long-awaited release of many of Guaraldi's classic compositions and performances along with never-before-heard bonus material. Newly re-discovered in LMFPÕs vaults, the original recording sessions for Vince Guaraldi's beloved soundtrack have been remixed and remastered for audiophiles and Peanuts¨ fans everywhere. The album includes many previously unreleased tracks, several never heard since the Vince Guaraldi Quintet laid them down for the recording session in 1973. All the songs were remastered from the original 2" 16 track source tapes. This soundtrack from the 1973 holiday classic includes Guaraldi hits from the original sources like the funky brass filled "Linus and Lucy," "Thanksgiving Theme," and the soulful "Little Birdie." You will hear timbres from instruments that were previously buried in the show mix. Furthermore, there are bonus tracks for "Thanksgiving Interlude" demonstrating how Guaraldi crafted his score for the special; an additional keyboard on "Linus and Lucy;" and Guaraldi whistling the melody for "Is It James or Charlie?" Beyond the composer's piano playing, the quintet is made up of Mike Clark on drums; Seward McCain (longest touring bassist with Guaraldi - holding down the electric bass at Guaraldi's request); Tom Harrell on trumpet to class up the album; and Chuck Bennett on Trombone. This is some of the funkiest Guaraldi you'll hear as his quintet leaned into the East Bay Sound, a type of funk that Mike Clark helped pioneer in the early Õ70s. Guaraldi even lends his bluesy voice to introduce Woodstock with "Little Birdie." The album was remix engineered by Terry Carleton, restored and mastered by Vinson Hudson, and produced by Sean and Jason Mendelson. All versions include liner notes by Sean Mendelson and artwork from the original special. This Indie Exclusive repressing comes in a limited and exclusive Purple Jelly Bean Purple variant.
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GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
