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Heidecker, Tim - What the Brokenhearted Do

Heidecker, Tim - What the Brokenhearted Do

Format: Vinyl LP

UPC: 656605232317

Release Date: 12/31/25

Condition: N

Regular price $20.98 USD
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As far as we know, Tim Heidecker remains a happily married man with two delightful children. But we wouldn't blame you if you hear his latest collection of songs, What The Brokenhearted Do..., and worry for the fella. To be honest, we’ve checked in on him a couple times just to be sure. Across these songs, which recall in moments Neil Young, George Harrison, Harry Nilsson and Warren Zevon (sometimes all at once), we find a completely shattered man crawling through the sewage pipe of divorce. Take, for example, the over-the-top Crazy Horse squall in the finale of "Finally Getting Over." Again and again, Heidecker howls "I’m finally gettin’ over loving you," but it’s all too clear the opposite is true. He’s not fooling anyone but himself. This poor soul isn't getting anywhere good any time soon. For the last three years, Heidecker has been waging a hellish war of upon the current presidential administration and its shady minions. Whether because of his unrelenting Twitter prodding of Trump, his spot-on impersonation of Info Wars’ Alex Jones or his well of caustic Trump protest songs, Heidecker has found himself in the crosshairs of the Online alt-right community. At some point, one of those Incel or QAnon trolls started a vicious rumor that Tim’s wife had, in fact, left him and the rumor caught fire across certain social channels. Instead of getting pissed off, our protagonist (antagonist?) Tim Heidecker got inspired. He knows full well that here in the music biz nothing breeds good tunes like utter heartbreak. When an artist’s relationship crumbles, we label suits just rub our greedy little mitts together. From Blood on the Tracks to Shoot Out The Lights, it’s a nearly universal truth: Divorce is a hit factory. So he imagined himself an awful divorce and let the hits flow. Working with producer Jonathan Rado (Father John Misty, Whitney, Weyes Blood), Heidecker has delivered his most accomplished album to date. In addition to being absolutely gutting, the soulful "Im Not Good Enough" is a masterclass in less-is-more songwriting. In just over two minutes, the soulful dirge brushes confidently against a big, "Hey Jude" melody before gently coming to a close and leaving your wanting more. It beckons you over to the turn table to reset the needle. The jaunty, Nilsson-nodding live favorite “When I Get Up” is perhaps one more joyful tunes about crushing depression we’ve heard. For a song about succumbing to the void in your bedridden funk, it’s got a lot of pep in its step. The closing piano ballad “Life’s Too Long,” is as close to a resolution as Heidecker will give us. "Life’s too long to stay in love," he croons, a mournful organ the songs only accouterment. Enjoy the bittersweet moment and be thankful that Heidecker wraps up What The Brokenhearted Do... as he does, because next chapter for this divorcee is probably a midlife crisis full of neck tattoos and sports car debt.

 

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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