Knott, Mike - Strip Cycle
Knott, Mike - Strip Cycle
Format: Vinyl LP
UPC: 787269972360
Release Date: 04/07/23
Condition: N
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In 1995, Mike Knott was unstoppable. His bands L.S. Underground and Bomb Bay Babies had grown to become staples of the southern California rock circuit. Through his successful indie label Blonde Vinyl, he had produced and released over 20 albums. Most notably, his group Aunt Bettys had been signed by Elektra Records after a bidding war between labels and was primed for wide success.
Knott also released three critically-acclaimed solo records. Each showed a distinct style and approach, with influences ranging widely from Bauhaus to Tom Petty to Dinosaur Jr. And while his band Aunt Bettys were preparing their major label debut, he sat down and wrote his fourth, Strip Cycle. Strip Cycle is unlike anything Knott has released before or since. While some of the lyrics call back to the deranged storytelling of his album Rocket and a Bomb, they quickly take a more personal turn, with a heavy emphasis on the challenges of being a new dad and struggles with alcohol. The musical shift is more obvious, recalling the sound of early Violent Femmes with it's all-acoustic instrumentation. Shortly before recording began, Knott's daughter Stormie found his guitar and messed with the tuning knobs. Knott like the weird sound it created and made it an intentional aspect of the record (dubbing it "Twisted Toddler Tuning"); it yielded a very unique sound, with the loose strings frequently snapping against the fret board in a percussive manner. The album features a strong lineup of songs, performed by capable Knott collaborators Brian Doidge and Chuck Cummings (Aunt Bettys) and drummer Ed Benrock (Starflyer 59). There is a sound of spontaneity throughout the album, with Knott himself playing drums-poorly-on "Super Girl" and another song cutting off mid-chorus amidst screaming. It was ultimately released by fledgling indie label Tooth & Nail (a spiritual successor to Knott's own label Blonde Vinyl). The artwork matched the grittiness of the music, featuring grainy high-contrast images from photographer and musician Matt Wignall, and a handwritten scrawl for the titles and credits. Lost in Ohio is pleased to reissue Strip Cycle on vinyl for the first time. True to the original, the album is presented in all black and white packaging, with freshly-restored copies of Wignall's original photos, including never-before-seen images from the photo shoot. Great care was taken to preserve the highest quality possible sound, with lacquers cut by hand at The Vinyl Room in the Netherlands, and processed at Pacri Group in Italy, before being lovingly pressed by Precision Record Pressing in Toronto.
- Tracks
- 1 Sugar Mama
- 2 Tattoo
- 3 Rockstars on H
- 4 Transister Sister
- 5 Light My Fuse
- 6 Burnin on Fire
- 7 Bad Check
- 8 Milk & Peas
- 9 Super Girl
- 10 Everything
- 11 Am I Winnin Something
- 12 Too Long
- 13 Denial
SHIPPING & RETURNS
SHIPPING & RETURNS
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RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
