McDuff, Brother Jack - Ain't No Sunshine (180 Gram) (RSD 2024)
McDuff, Brother Jack - Ain't No Sunshine (180 Gram) (RSD 2024)
Format: LP
UPC: 875531023930
Release Date: 04/20/24
Condition: N
Low stock: 1 left
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*RSD TITLES LIMITED TO ONE PER CUSTOMER - ANY ORDERS FOR MORE THAN 1 COPY OF THIS TITLE WILL BE CANCELLED AND REFUNDED*
Event: RECORD STORE DAY 2024
Release Date: 4/20/2024
Format: 2 x LP
Label: Reel To Real
Quantity: 1500
Release type: 'RSD First' Release
A marvelous bandleader and organist as well as capable arranger, “Brother” Jack McDuff has one of the funkiest, most soulful styles of all time on the Hammond B-3. His rock-solid basslines and blues-drenched solos are balanced by clever, almost pianistic melodies and interesting progressions and phrases. McDuff began as a bassist playing with Denny Zeitlin and Joe Farrell. He studied privately in Cincinnati and worked with Johnny Griffin in Chicago. He taught himself organ and piano in the mid-’50s, and began gaining attention working with Willis Jackson in the late ’50s and early ’60s, cutting high caliber soul-jazz dates for Prestige. McDuff made his recording debut as a leader for Prestige in 1960, playing in a studio pickup band with Jimmy Forrest. They made a pair of outstanding albums: Tough Duff and The Honeydripper. McDuff organized his own band the next year, featuring Harold Vick and drummer Joe Dukes. Things took off when McDuff hired a young guitarist named George Benson.
Ain't No Sunshine is a previously unissued concert recordings from one of the greasiest and funkiest Hammond b3 organists of all-time, “Brother” Jack McDuff. The album features his then-working-band saxphonists Leo Johnson and Dave Young, guitarist Vinnie Corrao and drummer Ron Davis. This hand-numbered, limited-edition double LP set was transferred from the original tape reels and is pressed on 180g vinyl. The deluxe package includes an extensive 4-page booklet with essays by archival producer and label owner/producer/musician Cory Weeds, plus passages from Hammond organists Delvon Lamarr, Larry Goldings and Brian Charette; and rare photos and memorabilia. LP mastering by Kevin Gray at Cohearent Audio.
Tracklist
Side A (23:28)
1) Theme From Electric Surfboard
2) Three Blind Mice
Side B (22:10)
1) Ain't No Sunshine
2) I'm Getting Sentimental Over You
3) Blues 1 & 8
Side C (19:13)
1) Uknown
2) The Jolly Black Giant
Side D (15:03)
1) Middle Class Folk Song
2) 6:30 In The Morning
SHIPPING & RETURNS
SHIPPING & RETURNS
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RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
