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Reich & Ensemble Modern & Synergy Vocals - Tokyo Opera City

Reich & Ensemble Modern & Synergy Vocals - Tokyo Opera City

Format: LP

UPC: 5060672883191

Release Date: 11/08/19

Condition: N

Regular price $19.98 USD
Regular price $19.98 USD Sale price $19.98 USD
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As noted on Alternative Fox's Berkeley November 7, 1970 (FOX 002LP) and Information, Transmission, Modulation and Noise (FOX 006LP) releases, the New York-born composer and abstract keyboard artist Steve Reich was one of the most important pioneers of minimalist music. After studying with jazz pianist Hall Overton, Reich studied composition at the Julliard School of Music and later at Mills College, a hotbed of experimental music in Oakland, near San Francisco. He subsequently began experimenting with audio tape as a medium for recorded and performed music at the San Francisco Tape Music Center with important figures of early electronic music, including Morton Subotnick, Pauline Oliveros, Ramon Sender, and Phil Lesh (the latter eventually a bassist in the Grateful Dead), and more importantly with Terry Riley, who joined Reich for the staging of In C in 1964, based on constantly shifting, fragmented music patterns. Reich went on to compose a number of noteworthy film soundtracks and in 1967 collaborated with Oliveros and Richard Maxfield for the LP New Sounds In Electronic Music. Phased musical and rhythmic patterns, sonic loops and electronic percussion were focal points from the mid- 1960s. Music For 18 Musicians was first released by jazz label ECM in 1978, based around pulsing patterns of tuned percussion created by several pianists, a vibraphonist and three marimba players, along with a clarinetist, a cellist, and a violinist, as well as three vocalists, with players switching to different instruments and percussion as necessary; the masterful version presented at Tokyo's Opera City on May 21st, 2008 features the choral group Synergy Vocals, close-microphone specialists founded by BBC Singers and London Choir alumnus Micaela Haslam, who first collaborated with Reich on his 2002 Drumming release.

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
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GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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