Rollins Quintet, The Sonny - Rollins Plays for Bird (Analogue Productions, 180 Gram, Mono)
Rollins Quintet, The Sonny - Rollins Plays for Bird (Analogue Productions, 180 Gram, Mono)
Format: LP
UPC: 753088709517
Release Date:
Condition: N
Low stock: 2 left
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Part of the ultimate audiophile Prestige mono reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at state-of-the-art plant Quality Record Pressings and plated by Gary Salstrom. Deep groove label pressings, tip-on jackets on thick cardboard stock.
Rollins Plays for Bird is an album by jazz saxophonist Sonny Rollins, recorded for the Prestige label, featuring performances by Rollins with Kenny Dorham, Wade Legge, George Morrow, and Max Roach.
As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird's passing.
The music certainly has its moments, as on the inexhaustible 27-minute medley of seven tunes seamlessly stitched together. Rollins plays the melody on alternating songs "I Remember You" and "They Can't Take That Away from Me," Kenny Dorham has at it for "My Melancholy Baby" and "Just Friends," with Wade Legge getting his two cents in on trio only versions of "Old Folks" and "My Little Suede Shoes." Finally the whole band joins in on the ten-minute medley finale "Star Eyes." Two independent selections accompany the medley: Rollins does the ballad "I've Grown Accustomed to Your (Her) Face," from the musical "My Fair Lady" and the horns finally play together for the nearly 12-minute cool waltz "Kids Know."
Three cuts are all that are contained on this tribute to Charlie Parker, an impressive set selected as a fitting tribute by one of Bird's true musical heirs, Sonny Rollins. However, the nearly 29 minute long opening medley of seven tunes closely associated with Bird as well as the two additional selections thoroughly convey the legacy of both of these legendary saxophonists.
Features
- 180g Vinyl LP
- Limited Edition
- The Original 100% Analog Master Tapes were used working with only the Best Mastering Studios!
- Mastered by Kevin Gray & Plated by Gary Salstrom
- Plated and Pressed at Quality Record Pressings on Virgin Vinyl
- Meticulous Test Pressing Evaluation and Quality Control
- Deluxe Packaging using the highest quality jackets and rice paper inner sleeves
- Officially Licensed & Authorized for release by the Record Label
- Flat-Edge Profile & Deep-Groove Label, True to the Original LP
- Mono
SHIPPING & RETURNS
SHIPPING & RETURNS
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RETURNS
Items may be returned within 60 days of the delivery date.
If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.
GRADING
GRADING
Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws. Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
