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Shorter, Wayne - Adam's Apple

Shorter, Wayne - Adam's Apple

Format: LP

UPC: 602445797561

Release Date: 08/19/22

Condition: N

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Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180g vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.

Wayne Shorter had already set a high bar over the course of his first several Blue Note albums, which included all-time jazz classics including Night Dreamer, JuJu, and Speak No Evil, but 1966's Adam's Apple featuring Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums immediately joined the ranks of the saxophonist's greatest recordings and remains a pinnacle artistic statement of Blue Note's fertile post-bop era. Shorter composed five of the session's six tracks including the grooving title track, which surely had producer Alfred Lion dancing around Rudy Van Gelder's studio.

Other highlights of this sublime set include Jimmy Rowles' arresting "502 Blues (Drinkin' And Drivin')," Shorter's bossa-inflected "El Gaucho," the tender ballad "Teru," and the first recording of his timeless composition "Footprints," which Shorter would record again later that year with the Miles Davis Quintet for the album Miles Smiles. The album closes with the evocative composition "Chief Crazy Horse" featuring Shorter's trademark harmonic twists and a churning solo spotlight by Chambers.
 

MUSICIANS:

  • Wayne Shorter, tenor saxophone
  • Herbie Hancock, piano
  • Reggie Workman, bass
  • Joe Chambers, drums

FEATURES:

  • Blue Note Classic Vinyl Reissue Series
  • All analog 180g vinyl LP
  • Mastered by Kevin Gray directly from the original master tapes
  • Manufactured at Optimal in Germany
  • Standard packaging

WAYNE SHORTER / ADAM'S APPLE 

  • 1 502 Blues (Drinkin' and Drivin')
  • 2 El Gaucho
  • 3 Footprint
  • 4 Teru
  • 5 Chief Crazy Horse

SHIPPING & RETURNS

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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