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Son House - Father of Folk Blues (Analogue Productions, 180 Gram, 45 RPM, 2LP)

Son House - Father of Folk Blues (Analogue Productions, 180 Gram, 45 RPM, 2LP)

Format: Vinyl LP

UPC: 753088009273

Release Date: 04/06/18

Condition: N

Regular price $59.98 USD
Regular price $59.98 USD Sale price $59.98 USD
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Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.

The "Father of the Delta Blues" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine - "Essential recordings by one of the greatest bluesmen ever." And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For this version they turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers - cut at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove - were then plated and pressed on 180-gram vinyl by Quality Record Pressings.

Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, "I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it." But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.

Now, sit back and enjoy one of the genre's greatest, on a reissue that's the best that's been made to date. So authentic, so real - that's the Analogue Productions difference.

Features

  • 180g Vinyl
  • 45rpm
  • Double LP
  • Remastered by Ryan K. Smith at Sterling Sound from the Original Master Tape
  • Pressed at Quality Record Pressings
  • Heavyweight Glossy Tip-On Gatefold Jacket by Stoughton Printing
  • Bonus Track "Motherless Children"

SHIPPING & RETURNS

FREE SHIPPING on purchases over $50
LOCAL PICKUP available at checkout
$5 MEDIA MAIL shipping in the USA
RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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