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Squirrel Nut Zippers - Lost Songs Of Doc Souchon (RSD Black Friday 2021)

Squirrel Nut Zippers - Lost Songs Of Doc Souchon (RSD Black Friday 2021)

Format: LP

UPC: 616948917241

Release Date: 11/26/21

Condition: N

Regular price $20.99 USD
Regular price $20.99 USD Sale price $20.99 USD
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Event: BLACK FRIDAY 2021
Release Date: 11/26/2021
Format: LP
Label: Southern Broadcasting
Quantity: 1500
Release type: RSD Exclusive Release

Since 1995, the Squirrel Nut Zippers have sacked and plundered the old, weird America then sailed off to further distant lands. They have used New Orleans as their hideout and base of operations. Jean-Lafitte-like the hide in the lee side of barrier island, receiving goods and masking dark back channel deals; hiding in cellars or in plain view.

In 2020, fans were able to gaze into the tea leaves that make up their brand new album: Lost Songs of Doc Souchon to see if they can discern their own destiny. Now, on the heals of the successful reunion album from SNZ members Jimbo Mathus, "13 Stories," "Lost Songs of Doc Souchon " is finally available on limited edition vinyl for RSD Black Friday 2021.

Lost Songs Of Doc Souchon follows the band’s last studio album, Beasts Of Burgundy, which debuted at #4 on the Billboard Jazz Album Chart. Also, Andrew Bird makes his first appearance on a Squirrel Nut Zippers album since Perennial Favorites (1998, Mammoth)

“This new album was inspired by all of the mysterious characters from the history of New Orleans jazz music,” commented band leader Jimbo Mathus. “It speaks to the hidden roots of where our aesthetic, interests and philosophy comes from. It pulls on the hidden thread.”

Lost Songs Of Doc Souchon contains ten new tracks, a combination of newly written Zippers material, along with a few songs from past times.

The first single from the album “Animule Ball” was originally recorded back in 1938 by Jelly Roll Morton. In keeping with that time period, the band turned to Fleischer Studios (home of Betty Boop) to use some of their historic animations for a brand new video for the track.

“When I first started the Zippers the Max and Dave Fleischer cartoons were a huge part of our inspiration. The look, the music, all of it," commented Jimbo Mathus. "So to have their blessing to use some of these characters and create something new with it is thrilling to me.”

“Fleischer Studios has a long history of bringing together the best in music and animation, so the opportunity to continue that great tradition with a band like the Squirrel Nut Zippers, nearly 100 years after debuting the first sound cartoon in 1926, is a wonderful honor; and one that would surely put a smile on Max Fleischer's face,” commented Jeni Mahoney.

The Squirrel Nut Zippers began their musical journey in Chapel Hill, North Carolina, in the mid 1990’s, as a musician’s escape from the cookie cutter world of modern rock radio at the time. Jimbo Mathus along with drummer/percussionist Chris Phillips formed the band as a casual musical foray among friends and family in the area. It wasn’t long before the band’s quirky mix of jazz chords, folk music, and punk rock leanings spread out of the region and attracted a national audience.

Between 1995-2000 the Squirrel Nut Zippers sold over three million albums. Their watershed album, Hot (1996) was recorded in the heat of New Orleans, fueled by a smoldering mix of booze and a youthful hunger to unlock the secrets of old world jazz. This passion mixed with klezmer, blues and random bits of contemporary musical leanings became the bands signature style. At the time, there were few other bands inhabiting this space. The album would eventually break free of any “jazz” stereotypes and land on commercial radio, taking the band to remarkable heights for what was essentially an anti-establishment sound.

Animule Ball (Unknown)
Can’t Take My Eyes Off You (Crewe/Gaudio, arr. Dr. Sick)
She's Ballin (Mathus)
Train On Fire (Mathus)
Mr Wonderful (Mathus)
I Talk To My Haircut (Rev Fred Lane)
Purim Nigrum (Unknown)
Cookie (New Orleans Willie Jackson)
Happy Days Are Here Again (Ager/Yellen)
Summer Longings (Stephen Foster)

SHIPPING & RETURNS

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
Customer assumes all responsibility for duties and taxes associated with international shipments.

GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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