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Williams, Tony - Play Or Die (RSD Black Friday 2022)

Williams, Tony - Play Or Die (RSD Black Friday 2022)

Format: Vinyl LP

UPC: 885513121417

Release Date: 11/24/22

Condition: N

Regular price $14.50 USD
Regular price $24.99 USD Sale price $14.50 USD
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Low stock: 1 left

Event: BLACK FRIDAY 2022
Release Date: 11/25/2022
Format: Vinyl
Label: Moosicus
Quantity: 2000
Release type: 'RSD First' Release 

Tony Williams certainly counts among those unique drummers in jazz whose work has had a lasting influence on style and still does. At the tender age of 16, Williams was brought by saxophonist Jackie McLean to his band in New York, and made his first recording. At 17, Williams was already making a splash in the second Miles Davis Quintet.Almost twenty years later, on May 30 and 31, 1980, Tony Williams, together with Tom Grant (keyboards, synthesizer, he joined this band on the recommendation of Jeff Lorber) and Patrick O'Hearn (bass, synthesizer), went to the Zuckerfabrik recording studio in Stuttgart/Germany. In the 1970s and early 1980s, this studio was an illustrious address for audio productions of all kinds. Larry Coryell, Wolfgang Dauner, Stephane Grappeli, Elvin Jones, Martin Kolbe + Ralf Illenberger, Volker Kriegel, Alphonse Mouzon, John Scofield and the United Jazz+Rock Ensemble recorded there, to name just a few. Tony Williams and Peter Schnyder co-produced the recording of Play Or Die. The album was recorded in just two days and mixed right there in the studio.This timeless album, released in an edition of only 500 copies, was hardly promoted at the time and may therefore have remained relatively unknown. All the better that now, for the first time since the release of the vinyl, this recording is available on this RSD Black Friday release with a significantly improved sound.Tony Williams composed “Para Oriente” and “There Comes A Time” (Tony supplied the vocals).
Tony Williams, Patrick O'Hearn and Tom Grant composed “Jam Tune”.
Patrick O'Hearn composed “The Big Man” and “Beach Ball Tango”.

Side One
01: The Big Man
02: Beach Ball TangoSide Two
03: Jam Tune
04: Para Oriente 

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RETURNS
Items may be returned within 60 days of the delivery date.

If not defective, any product returned must be in the same condition in which customer received it and in the original retail packaging.
Yellow Racket will be responsible for cost of return on all damaged or defective items. Customer is responsible for cost of return if item is not damaged or defective. Photo/video evidence of damages/defects must be provided by customer within 14 days of the delivery date.
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GRADING

Yellow Racket assigns condition based on the Goldmine Standard for grading records.
New (N) (Not typically included in the Goldmine Standard)
New records are purchased directly from the label, distributor, or registered wholesaler. Records are still sealed. Jackets may have slight shelf wear, but media has never been played.
Mint (M)
Still sealed. Never played. No observable flaws.  Items have been purchased secondhand.
Near Mint (NM)
A Near Mint (NM) record will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear.
The cover (and any additional packaging) has no creases, folds, seam splits, cut-out holes, or other noticeable defects.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches.
The disc and LP cover may have slight signs of wear, and may be gently marred by spindle marks, paper scuffs, wrinkled corners, etc.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident, but will not overpower the music. Disc may have light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels, jackets, and inserts will have visible cosmetic flaws such as wrinkles, cut-outs, slight splitting, etc. However, it will usually have less than a dozen minor flaws.
Good (G)
A record in Good condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present.
While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. 
Poor (P), Fair (F)
The record may be cracked, badly warped, or won't play through without skipping or repeating. The picture sleeve may be water damaged, split, or heavily marred by wear and writing.
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